Review of ÚATH – ÚATH

A perfect match between darkest ambient producer Ruairi O’Baoighill and folk experimenter Grey Malkin. What we have here is a very complimentary collaboration that sees the two approaches illuminate each other’s work.

Ruairi’s otherworldly production and soundscapes make Malkin’s contributions feel like musical spectres wandering through the sonic fog Ruairi conjures. Yet Malkin’s contributions make a distorted familiarity that creates a more relatable space.

With guest contributions and samples in the mix, it gives the album the feel of a strange journey. For some reason it makes me think of old Victorian ghost stories that revolve around train journeys.

I think by now you should know from my reference points whether this is your sort of thing or not. If they chimed with you then you should absolutely buy this folk horror odyssey.

Review of Ben LaMar Gay – Certain Reveries

Walking an extraordinary tightrope between free jazz and song, this album us another testimony to the power of duos. Ben is mainly on his cornet, though he does add a little synth and vocals in there too, and matched perfectly to drummer Tommaso Moretti.

It’s a match made with searing chemistry, both artists expressing perfectly together. It hits all my favorite jazz adjectives: questing, nocturnal, spiritual, instinctive, ecstatic, experimental – sometimes simultaneously.

I never heard a cornet sing like this before and damn me if that ain’t the perfect drummer for it to bounce off.

Sweet sounds.